Giuseppe Maria Crespi
1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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Giuseppe Maria Crespi The Death of St.Joseph oil painting


The Death of St.Joseph
1712 The Hermitage, St.Petersburg
Painting ID::  662
Giuseppe Maria Crespi
The Death of St.Joseph
1712 The Hermitage, St.Petersburg
   
   
     

Giuseppe Maria Crespi The Flea oil painting


The Flea
1710-30 Galleria degli Uffizi, Florence
Painting ID::  664
Giuseppe Maria Crespi
The Flea
1710-30 Galleria degli Uffizi, Florence
   
   
     

Giuseppe Maria Crespi Self Portrait_a oil painting


Self Portrait_a
1700 The Hermitage, St.Petersburg
Painting ID::  666
Giuseppe Maria Crespi
Self Portrait_a
1700 The Hermitage, St.Petersburg
   
   
     

Giuseppe Maria Crespi Aeneas with the Sybil Charon oil painting


Aeneas with the Sybil Charon
1700-05 Art History Museum, Vienna
Painting ID::  667
Giuseppe Maria Crespi
Aeneas with the Sybil Charon
1700-05 Art History Museum, Vienna
   
   
     

Giuseppe Maria Crespi Woman Playing a Lute oil painting


Woman Playing a Lute
1700-05 Museum of Fine Arts, Boston
Painting ID::  668
Giuseppe Maria Crespi
Woman Playing a Lute
1700-05 Museum of Fine Arts, Boston
   
   
     

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     Giuseppe Maria Crespi
     1665-1747 Italian Giuseppe Maria Crespi Locations 1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier

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